From: Kelley (kelleya1@hotmail.com)
Seems like long ago, we were on a board together--an book discussion board, where I was embarrassed to discover that one of my favorite writers was a participant (you!) right after Ammonite came out. You said at the time that you had a health issue that made writing a slower process for you than for some. But I've been amazed at the quality of your work over the years--are you feeling better these days? Loved The Blue Place and Stay.Just thinking about writing, how gut-hard it is, and what a miracle that anybody can do it!
                                      
Yep, writing is a miracle.  Every time I begin a new novel I wonder, Can I do it again?  Except that I know I can.  I just don't know how.  Art is a black box: life goes in, art comes out; the mechanism is a mystery.   The most I've learnt over the years is to gauge the timing.  I now know when to push, when to sit back and wait, how long things will take.  But that's it: a black box with a dial on the side indicating how Close to Done a thing is.
The art might be a mystery but he craft isn't.   I remember every step of my learning.  I remember pulling books off the shelf in my twenties and consciously studying them to see how to put dialogue together (literally, trying to figure out where the punctuation went--because US and UK punctuation and quote marks are quite different).  I remember reading the opening of three favourite books (Lord of the Rings, The Dispossessed, and Dune) to work out how to begin Ammonite.  I remember years of learning how to shave off the top layer of a work, then shave again, and again and again, until there wasn't a single unnecessary word.
But the art...  No.  I don't know how that works.  An artist is a shaman.  We map uncharted territory so that others don't have to.  But we don't do it for you, we do it for ourselves.  We can't help it.  At least I can't help it.  And so I have an idea for a novel--and somehow I always know when it's a novel, when it's a story, when it's an essay--and I begin with blind faith that I'll find my way through to the end, that I'll spend two years of my life on something I can't quite see but that when I've finished it will all make sense.  And it does. Yes, writing is a miracle.
But it's not hard.  Writing is easy.  It's like diving: terrifying if you think about it too long, but once you've leapt, once you've sprung and left earth behind, it's easy; it's just falling.
When I teach writing, I give beginners lots and lots of nifty rules and exercises, because beginners like that sort of thing.  But the most precious advice I give is something most beginners are simply not ready to hear: Just Do It.  Just run, jump, fall.  You can fix it all later.
When I started my memoir, I had no idea what I was doing.  I knew I had three months (mid-November to Valentine's Day) to create the whole thing, soup to nuts.  I knew that if I sat and thought about it too long, I would realise it couldn't be done.  So I just sat down and began.  After three days, I knew I'd basically be writing a series of connected essays, and that they had to be almost brutally blunt.  Wholly naked.  No dithering.  But I couldn't have discovered this without beginning.  I also would have taken much longer to figure it out without Kelley's help.  She kept tapping my subtitle, 'Liner Notes to a Writer's Early Life', and saying, Focus on that, forget all the other stuff.  And so with blind faith in my art, with beer (oh, lots of beer--how do writers who don't drink manage to turn the machine off at night?), and with Kelley's help, I created my box of Nicola.  I'm proud of it.  But I have no idea how I did it.
I've also no idea how Jacob, the designer, did his part.  Perhaps he doesn't, either.  All I know is that we both worked very, very fast.  There were no false starts, no hesitations.  I can't speak for Jacob, but I know I worked with the sureness of long experience.  I didn't have to understand how I was going to do it, I just knew I could.  I relied on my expertise.  But I wouldn't be an expert if I hadn't spent a lot of time just leaping off the fucking cliff;  I didn't learn how to write by worrying about it, I learnt by doing.
 
 
